Standard Notation
Counting
Charts
Tablature
Practicing
Stringing and Tuning
Playing Techniques
- Figure 10.4
- Figure 10.5
- Figure 10.6
- Figure 10.8
- Figure 10.9
- Figure 10.10
- Figure 10.12
- Figure 10.13
- Figure 10.14
- Learn 1
- Practice 1
- Practice 2
- Practice 4
- Practice 3 (coming soon)
- Practice 5
- Practice 6
- Practice 7
Intervals
- Minor Second
- Major Second
- Minor Third
- Major Third
- Perfect Fourth
- Augmented Fourth / Diminished Fifth / Tritone
- Perfect Fifth
- Minor Sixth
- Major Sixth
- Minor Seventh
- Major Seventh
- Octave
- Minor Second (Harmonic)
- Major Second (Harmonic)
- Minor Third (Harmonic)
- Major Third (Harmonic)
- Perfect Fourth (Harmonic)
- Augmented Fourth / Diminished Fifth / Tritone (Harmonic)
- Perfect Fifth (Harmonic)
- Minor Sixth (Harmonic)
- Major Sixth (Harmonic)
- Minor Seventh (Harmonic)
- Major Seventh (Harmonic)
- Octave (Harmonic)
- Figure 11.3
- Practice 1
- Practice 2
- Practice 3
Major Scale
Major Scale Patterns
Chord Construction
- C Major (Figure 16.2)
- C minor (Figure 16.2)
- C diminished (Figure 16.2)
- C Augmented (Figure 16.2)
- Csus2 (Figure 16.2)
- Csus4 (Figure 16.2)
- C Major (Figure 16.3)
- A Major (Figure 16.3)
- G Major (Figure 16.3)
- E Major (Figure 16.3)
- D Major (Figure 16.3)
- A minor (Figure 16.3)
- E minor (Figure 16.3)
- D minor (Figure 16.3)
- Practice 1
- Practice 2
Diatonic Harmony
Determining the Key
Triads
Seventh Chords
Chord Extensions
Modes
Mode Patterns
- Practice 1 (coming soon)
- Practice 2 (coming soon)
Arpeggios
Voice Leading
Pentatonic Scales
Blues Forms
- Coming Soon
Transposing
Ear Training
- Figure 30.1
- Chord Matching
- More examples are coming soon